Meg asked me to compile a bibliography.  What follows is a selection of some (by no means all) of the books I've used as well as some culled from the 'further reading' sections of those I have used.  Some are in English, some in Welsh; some are tried and tested, others are unproven.  You'll need to exercise your own judgement and form your own opinions as to which are credible and which are not.

Pob hwyl ar y darllen!

( Bibliography )

I thought rather than write on one topic tonight, I’d post the beginnings of a glossary some of the people, places, beings and ideas that have shaped Welsh history, culture and folklore.
As will be apparent from my postings so far, I’m not limiting this blog to folklore or the supernatural because I believe such a distinction is artificial and, to some extent, downright unhelpful.  Welsh history and culture has been influenced every bit as much by supernatural as natural phenomena, otherworldly beings as people of this world, and I hope to reflect some of that diversity in future posts.
Here, then, is the first part of the glossary.  I fully expect it to grow with subsequent postings and I will try to post a cumulative update from time to time.  The glossary will follow the order of the Welsh alphabet[1].  The rest of the blog will not necessarily mirror this glossary (there will be entries here that are not mentioned in the blog) but I hope to include here every person, place, idea or being that I do mention in the posts.

( Glossary )




[1] a b c ch d dd e f ff g ng h i (j) l ll m n o p ph r rh s t th u w y
Yr Eisteddfod Genedlaethol

I promised I would write about the connection between Bronze-age priests, a twelfth-century prince, a smackhead stonemason, and Wales’ most prestigious literary and cultural festival.

The first recognisable eisteddfod was at Christmas 1176 when the Lord Rhys ap Gruffudd, ruler of Deheubarth[1] invited bards, harpists and pipers from all over Wales to his court at Aberteifi (Cardigan) for a competition possibly inspired by or modelled on the Norman puys[2].  He offered sums of money as well as the prize of a chair to the best poet and the best musician.

Y Nadolig yny flwyddyn honno y cynhelis yr Arglwydd Rhys ap Gruffudd llys yn ardderchog yn Aberteifi, yn y castell, ac y gosodes deuryw ymryson yno, un y rhwng beirdd a phrydyddion, un arall y rhwng telynorion a chrythorion a phibyddion ac amrafaelion genhedloedd gerdd miwsig, ac ef a beris gosod dwy gadair i'r gorchfygwyr ac ef a anrhydedodd y rhei hynny o roddion ehelaeth[3][4].

At a time when most people sat on stools or benches, a high-backed chair with arms, such as the lord himself sat in, was quite a thing.
The names of the winners are not recorded but it is known that a young harpist of Rhys’ own court was judged the best musician, while the poetry competitions were won by poets from Gwynedd. [5]
( Continues below the cut )
Remember to let me know if there’s an aspect of Welsh culture of folklore that you’d like me to write about.





[1] The south-western kingdom of Wales, comprising Dyfed (≈Ceredigion and Penfro), Dinefwr, Brycheiniog and Gŵyr (Gower)
[3] John Davies, Menna Baines et al: Gwyddoniadur Cymru (Yr Academi Gymreig, 2008); p. 326-7
[4] At Christmas that year, the Lord Rhys ap Gruffudd held a splendid court at Aberteifi, in the castle, and set two kinds of competitions there, one between bards (journeyman poets) and prydyddion (master poets entitled to train junior bards) and another between harpists and crythorion (crwth players) and pipers and sundry kinds of musicians, and he caused two chairs to be given to the victors and he rewarded them with generous gifts.
[6] Lit. ‘harmony’ (see https://en.wikipedia.org/wiki/Cynghanedd for a discussion in English, or Mererid Hopwood, Singing in Chains (Gwasg Gomer, 2004)
[8] Without the judging or the competition – a lyric from the 1993 song Maes-e by Datblygu (David R. Edwards, Libertino Records)
[11] Gwyddoniadur; p. 959
[12] Ibid – my translation
[13] Ibid - my translation
Gwrach y Rhibyn
Claire asked me to write about Gwrach y Rhibyn.

About the only thing I knew about this character was that she might be connected in some vague way with the hag of Cors Fochno (Borth Bog north of Aberystwyth).  The reading I’ve been able to do in the time I’ve allowed myself seems to confirm this, at least in part.

Gwrach y Rhibyn is described as an ugly woman of about seven feet tall, with long, wild hair down to her ankles.  Her eyes glowed bright but her face was “as gloomy as death itself”[1].  Her fearsome teeth (one in each corner of her mouth) are said to be similar in size to those of an old boar, and in colour to resemble those of a lifelong smoker and chewer of tobacco.[2] Some sources say she has “withered arms with leathery wings”,[3] but Evan Isaac[4], who grew up around Cors Fochno, makes no mention of this.
Isaac relates the following story about a woman named Betsen, who saw the Gwrach one night:

Clywais i Fetsen, Llain Fanadl, ei gweled unwaith.  Preswyliai Betsen fwthyn bregus ar fin y gors, ac un nos lwyd-olau, a hi’n dychwelyd i’w thŷ o gasglu bonion eithin i achub tân trannoeth, gwelai ar ei chyfyl, yn eistedd ar dwmpath hesg, wraig hen â phen anferth ei faint, a’i gwallt cyn ddued â muchudd yn disgyn yn don fawr a thrwchus tros ei chefn ac yn ymgasglu yn glwstwr ar y ddaear.
Swpera yr oedd ar ffa’r gors a bwyd llyffaint.  Ar ei gwaith yn myned heibio, cyfarchodd Betsan hi â “Nos da”.  Neidiodd y Wrach ar ei thraed—yr oedd yn llawn saith droedfedd o daldra, ac yn denau ac esgyrnog a melyngroen—a throi at Fetsen ac ysgyrnygu arni ddannedd cyn ddued ag Afagddu, chwythu i’w hwyneb fel y chwyth sarff, a diflannu yn y gors.  Dywedir na fu Betsen byth yr un ar ôl y noson honno[5].

He describes the symptoms of an attack by the Witch in detail (pp 46-47):
Ar nos dywyll creai’r wrach darth tew a llaith a ymdaenai fel mantell a chyrraedd i odre’r Graig Fawr, ac yn y tywyllwch pygddu hwnnw âi i fyny i’r pentref, ac er pob dyfais a gofal i’w chau allan, mynnai ei ffordd yn llechwraidd i’r tŷ a ddewisai, a chyniwair yn y tŷ hyd oni ddelai i ystafell gysgu, ac yno chwythu ei melltith ar y sawl a gysgai.  Deffroai’r truan hwnnw drannoeth o gwsg anniddig, llawn o ysbrydion mileinig, a’i gael ei hun yn llesg a chlaf a digalon.  Ymhellach ymlaen yn y dydd deuai’r crynu, ac am awr gyfan crynai’r claf oni chrynai’r gwely yntau—awr gron o grynu heb na hamdden na gallu i siarad na chwyno na dim ond crynu.[6]

Isaac suggests that the rational explanation for the Gwrach owed more to low cloud and thick fog preventing dispersal of smoke from the peat fires.  He notes (p. 49) that:
Deugain mlynedd yn ôl peidiodd y cryd, ac ni flinwyd ganddo neb o’r pentrefwyr byth wedyn, a chredwyd yn sicr farw o’r Hen Wrach yng ngaeaf y flwyddyn y diflannodd yr afiechyd.  Yn gyfamserol â’i marw hi bu llawer o gyfnewidiadau ym mywyd yr ardal, ac yn eu plith roddi heibio llosgi mawn, a defnyddio glo yn eu lle.  Eithr y mae’r Hen Wrach yn fyw o hyd.  Cysgu y mae yn y gors, a phan dderfydd glo Morgannwg a Mynwy deffry hithau, a bwrw ei melltith fel cynt, a gwelir y pentref yn crynu gan y cryd eto.  Cysgu y mae’r Hen Wrach.[7]

His claim (p. 45) that the tradition was endemic to Llangynfelyn parish doesn’t necessarily bear examination, since as far back as 1753 Thomas Richards[8] recorded that “They call an ague Gwrach in some parts of Caermarthenshire,” and Richard Fenton[9] in 1696 suggests that ‘cryd y wrach’ (the witch’s ague) was common throughout the South.

Unlike Evan Isaac, Wirt Sikes[10] and the authors of peregrine-net.com[11] both describe Gwrach y Rhibyn as a kind of banshee, foretelling the death either of someone close by or a family member who might be far away.  Sikes reports an incident from Ystum Taf (Llandaf North, now in Cardiff) which his informant dates to November 1877, where she appeared apparently to take the soul of the keeper of the Cow and Snuffers pub.
“I was on a visit to an old friend, [when] I saw and heard the Gwrach y Rhibyn. I was sleeping in my bed, and was woke at midnight by a frightful screeching and a shaking of my window. It was a loud and clear screech, and the shaking of the window was very plain, but it seemed to go by like the wind. […] I jumped out of bed and rushed to the window and flung it open. Then I saw the Gwrach y Rhibyn, […,] a horrible old woman with long red hair and a face like chalk, and great teeth like tusks, looking back over her shoulder at me as she went through the air with a long black gown trailing along the ground below her arms, for body I could make out none. She gave another unearthly screech while I looked at her; then I heard her flapping her wings against the window of a house just below the one I was in, and she vanished from my sight.  But I kept on staring into the darkness, and […] I saw her go in at the door of the Cow and Snuffers Inn, and return no more. I watched the door of the inn a long time, but she did not come out. The next day […] they told me the man who kept the Cow and Snuffers Inn was dead—had died in the night. His name was Llewellyn [and] he had kept the inn there for seventy years, and his family before him for three hundred years, just at that very spot. It’s not these new families that the Gwrach y Rhibyn ever troubles, sir, it’s the old stock.

Williams,[12] on the other hand, specifically say that she very rarely showed herself to foretell a funeral: “Peth eithriadol yw iddi ddod allan fel rhagredegydd angladd.  Ond os daw bydd yn ragargoel o farwolaeth rhywun tra annuwiol.”[13]

It seems fitting to end with some advice from Sikes for any readers who fancy themselves as studs:
There is a frightful story of a dissipated peasant who met this goblin on the road one night, and thought it was a living woman; he therefore made wicked and improper overtures to it, with the result of having his soul nearly frightened out of his body in the horror of discovering his mistake. As he emphatically exclaimed, ‘Och, Dduw! it was the Gwrach y Rhibyn, and not a woman at all.’[14]






[1] J. Ceredig Davies, Folk-lore of West and Mid-Wales (Llannerch, 1992); 213
[2] D.G. Williams, Casgliad o Lên Gwerin Sir Gaerfyrddin (Carms. CC Cultural Services Department, 1996); 38
[3] Sikes, p. 219 (cited on en.WIkipedia.org/wiki/drychiolaeth, accessed 25/01/17)
[4] Evan Isaac, Coelion Cymru (Cambrian News, Aberystwyth, 1938); 46
[5] I heard that Betsen, Llain Fanadl, saw her once.  Betsen lived in a ramshackle cottage on the edge of the bog, and one evening at twilight as she was returning home from gathering bracken stalks to rekindle the fire the next morning, she saw the figure of a woman sitting on a clump of rushes. The woman was old and had an enormous head with hair as black as jet falling in a great thick wave over her back and gathering in a heap on the floor.
She was eating a supper of bog-beans and toadstools.  As she passed by, Betsen greeted her with “Good night”.  The Witch leaped to her feet—she was fully seven feet tall, thin and bony with yellow skin—and turned to Betsen, snarled at her with teeth as black as the pit of Hell, hissed in her face just like a serpent, and disappeared in the bog.  It is said that Betsen was never the same after that night.
[6] On dark evenings, the witch would create a thick, damp fog which spread like a cloak and reached to the bottom of Graig Fawr, and in that darkness she would go up to the village, and despite any device and care that might be taken to keep her out, she would insinuate herself into the selected house until she came to a sleeping chamber, and there she would spit out her curse on the sleepers.  Those affected would wake the following morning from an uneasy sleep filled with cruel spirits, and find themselves enfeebled, sick and dispirited.  Later in the day would come the shaking, and for fully an hour the patient would shake until the very bed was shaking—a whole hour of shaking with no respite, unable to speak or complain or do anything but shake.
[7] Forty years ago the fever stopped, and not one of the villagers has ever been afflicted since.  It was taken as fact that the Old Witch had died in the winter of the year the illness disappeared.  Coincidentally with her death, there were many changes in the life of the area, including changing from burning peat to burning coal instead.  But the Old Witch is still alive.  She is sleeping in the bog, and when the coal from Morgannwg (Glamorgan) and Monmouthshire runs out, she will wake once more and her curse will return as before, and we will again see the village shaking with the fever.  The Old Witch is merely asleep.
[8] Thomas Richards (ed.), Antiquæ Linguæ Britannicæ; (Dolgellau; 1753) cited in Geiriadur Prifysgol Cymru (Aberystwyth, University of Wales Centre for Advanced Welsh & Celtic Studies; 1975); ‘gwrach1c’ p. 1696
[9] Richard Fenton, Tours in Wales (ibid (1956); ‘cryd y wrach’ under ‘cryd’ p. 620)
[12] Op. Cit. p. 50
[13] For her to come out as a harbinger of a funeral is the exception.  But if she does, it is an omen of the death of somebody very ungodly [his emphasis]
[14] Op. Cit. p. 217
Llyn y Fan Fach a Morwyn y Llyn

Rhiwallon was the son of Blaensawdde farm, Llanddeusant.  His mother was a widow and the farm was his responsibility.  One of his regular tasks was to check on the animals grazing the hill above Llyn y Fan Fach.  He often got there just about lunchtime so it was his habit to stop at the lakeside to eat his lunch.

One day as he lay there enjoying the peace and quiet, there was a disturbance on the surface of the water and to his amazement, a woman – the most beautiful woman he’d ever seen – emerged from the lake and sat on a rock combing her hair in the sun.  He offered her some of his lunch – barley bread and cheese – which she inspected briefly before saying “Cras dy fara, nid hawdd fy nala” (Your bread is coarse, you won’t catch me that easily”).

Encouraged by not having been rejected out of hand, when he returned home later that evening Rhiwallon told his mother what had transpired.  She promised to bake some moister bread for him to take the following day in the hopes that this might be more to the lady’s liking.

The next day at lunchtime there she was again on the same rock, combing her long hair in the sunlight.  Again, he offered her some of his bread and again she declined it, saying “Llaith dy fara, ti ni fynna”[1] (Your bread is too soggy, I don’t want you).
He knew he had to win her somehow so his mother gave him bread that was slightly less well-baked than usual for the following day.  This time, instead of her sitting on the rock combing her hair, he saw a herd of cattle walking on the surface of the lake with the lady herding them. He offered her the bread and this time she accepted but said there was one further test he must pass if he wanted to marry her.

Having said this, she disappeared again beneath the surface of the lake to reappear minutes later with another, identical woman and a burly man.  The man spoke to Rhiwallon and said that if he would marry his daughter, he must first be able to tell her apart from her sister.  Rhiwallon was on the point of conceding defeat when ‘his’ lady moved her foot forwards very slightly.  Rhiwallon declared that this was the sister he loved.

The father congratulated him on choosing correctly and gave his consent to the marriage on condition that if Rhiwallon should hit her three times[2] she would return to the lake and he would never see her again.  Rhiwallon agreed on the spot and promised he would be a good husband.

For a dowry, the father promised her as many sheep, cattle and horses as she could count in a single breath.  She counted as quickly as she could in fives and each time the same number of animals emerged from the lake.  They went to live at Esgair Llaethdy farm, just over the hill in Myddfai parish and there they prospered and raised a healthy family.

The years rolled by and the children grew up and Esgair Llaethdy became renowned for pure white cattle with black points which calved easily and thrived on the poor mountain grazing.  All seemed perfect until Rhiwallon asked her to fetch a pony from the field while he fetched something from the house.  On returning and discovering that she had not brought the pony he smacked her playfully on the shoulder and urged her: “Cer! Cer!” (Go on, go!). Her face grew dark as she turned to him and said: “You’ve hit me once.  If you hit me three times I must return to the lake”.

Years went by without incident until they were at a wedding in the parish and she started crying.  Rhiwallon shook her gently as he pleaded with her not to cry and asked what was wrong.  She told him “I have seen what lies in store for this couple and it would have been better if they had not married.  The husband’s troubles are only just beginning.

“And now you’ve hit me twice.  If you hit me again I will go back to the lake.”

The third time Rhiwallon hit her was at a funeral when she suddenly started laughing.  This time the explanation was that “When people die, they pass beyond all pain and suffering.  But now you’ve hit me three times and I must go back to my people.”
She got up and left the church.  Returning to Esgair Llaethdy, she started calling the animals back home, calling the cattle by name:

Mu wlfrech, Moelfrech
Mu olfrech, Gwynfrech,
Pedair cae tonfrech,
Yr hen Wynebwen,
A’r las Geigen,
Gyda’r tarw gwyn
O lys y Brenin
A’r llo du bach
Sydd ar y bach,
Dere dithau yn iach adre’[3]
All the cattle got up and followed her back to the lake and disappeared forever, even the black calf hanging on the hook, and four oxen which were yoked to a plough.  These dragged the plough with them, leaving a huge furrow in their wake which it is said can be seen to this day.[4]

As promised, that was the last Rhiwallon ever saw of his wife but she came back frequently to visit her children and to teach her sons how to use plants to treat illness.  They later went to work at the court of Rhys Gryg, ruler of Deheubarth (died 1234) and were known as Meddygon Myddfai (the Physicians of Myddfai), the first of a long line of physicians and healers.

Afterthoughts
The line of physicians was unbroken until John Jones, died in 1739.  There is a memorial stone to him in Myddfai parish church.

The white cattle at Dinefwr castle are reputedly descended from the cattle of Esgair Llaethdy;

Dr Robin Jones, consultant oncologist at the Royal Marsden NHS Foundation Trust, Chelsea, and former head of the sarcoma programme at the University of Washington / Fred Hutchinson Cancer Research Center in Seattle. is a direct descendant of the physicians of Myddfai.




[1] According to some sources, “ti ni chara’” (I do not/shall not love you)
[2] Some versions add ‘without cause’ and others specify ‘with iron’
[3] Hump-brindled, Poll-brindled, Rump-brindled, White-freckled, Four meadow-speckled ones, Old Whitefaced, and Grey Squinteye, with the white bull from the King’s court and the little Black calf which is on the hook, come you home sound, too (adapted from the 'tentative' translation given in T. Gwynn Jones: Welsh Folklore and Tradition (Methuen; 1930) p. 63)
[4] This puts me in mind of the legend of Cwys yr Ychen Bannog (the Furrow of the Horned Oxen) which separates Llanddewi Brefi from Tregaron.  Both may be attempts to explain glacial features.

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